First BCN Prototype: How It Works
Inspired by computer programming methods, Beatbox Code Notation (BCN) uses a library of text and punctuation-based characters to represent articulations of the mouth and voice.
These developing text combinations are structured in a way to reflect both traditional music notation patterns and DAW music editing practices, in order to allow a 'Rosetta Stone' understanding between the differing notation methods.
They also aspire to provide a means for beatbox artists to detail electronic music immitation patterns more accurately, and in sync with traditional music notation on a printed, standard music notation score.
Notating beatbox vocal percussion via text makes three things possible:
1. Beatbox sounds may be handwritten or typed, and may also be interpreted by a computer with ease.
2. Both traditional music theory aspects and DAW tech setting aspects may be routinely and accurately specified. The current trial instigates using an additional, specialised line under the regular music staff, where it may be used in conjunction with more intricate or complex melodic rhythms above. Scope is also given for accurate microphone preamp specifications.
3. There is the possibility that the formal practice of beatbox could be made readable and assessable by conductors, composers, musical directors and musicologists who do not specialise or practice in the area, however wish to collaborate.
Click on below image to enlarge: a cappella vocal arrangement excerpt featuring BCN line at the bottom. BCN may be used stand alone, or under singular or multiple standard notation staves.
Voiced Sounds: Use of Pentatonic Scale Pitches
For the first prototype BCN Loop Builder, only the pentatonic scale has been used pitch-wise. Unlike the familiar standard Major and Minor music scales (containing a 7-note pattern using the whole musical alphabet), the pentatonic scale contains only five notes and avoids dissonance.
This means any note can be played in any order or combination, without clashing or spoiling the harmony in music making.
The five pitches in use are: C, D, E, G, A